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The Son, by Philipp Meyer
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Soon to be a TV Series on AMC starring Pierce Brosnan and co-written by Philipp Meyer.Now in paperback, the critically acclaimed, New York Times bestselling epic, a saga of land, blood, and power that follows the rise of one unforgettable Texas family from the Comanche raids of the 1800s to the oil booms of the 20th century.
Part epic of Texas, part classic coming-of-age story, part unflinching examination of the bloody price of power, The Son is a gripping and utterly transporting novel that maps the legacy of violence in the American west with rare emotional acuity, even as it presents an intimate portrait of one family across two centuries.Eli McCullough is just twelve-years-old when a marauding band of Comanche storm his Texas homestead and brutally murder his mother and sister, taking him as a captive. Despite their torture and cruelty, Eli--against all odds--adapts to life with the Comanche, learning their ways, their language, taking on a new name, finding a place as the adopted son of the chief of the band, and fighting their wars against not only other Indians, but white men, too-complicating his sense of loyalty, his promised vengeance, and his very understanding of self. But when disease, starvation, and westward expansion finally decimate the Comanche, Eli is left alone in a world in which he belongs nowhere, neither white nor Indian, civilized or fully wild.Deftly interweaving Eli’s story with those of his son, Peter, and his great-granddaughter, JA, The Son deftly explores the legacy of Eli’s ruthlessness, his drive to power, and his life-long status as an outsider, even as the McCullough family rises to become one of the richest in Texas, a ranching-and-oil dynasty of unsurpassed wealth and privilege.Harrowing, panoramic, and deeply evocative, The Son is a fully realized masterwork in the greatest tradition of the American canon-an unforgettable novel that combines the narrative prowess of Larry McMurtry with the knife edge sharpness of Cormac McCarthy.
- Sales Rank: #1025 in Books
- Brand: Ecco
- Published on: 2014-01-28
- Released on: 2014-01-28
- Original language: English
- Number of items: 1
- Dimensions: 8.00" h x .95" w x 5.31" l, 1.00 pounds
- Binding: Paperback
- 592 pages
- Ecco
Amazon.com Review
An Amazon Best Book of the Month, June 2013: In 1859, Eli McCullough, the 13-year-old son of Texas pioneers, is captured in a brutal Comanche raid on his family's homestead. First taken as a slave along with his less intrepid brother, Eli assimilates himself into Comanche culture, learning their arts of riding, hunting, and total warfare. When the tribe succumbs to waves of disease and settlers, Eli's only option is a return to Texas, where his acquired thirsts for freedom and self-determination set a course for his family's inexorable rise through the industries of cattle and oil. The Son is Philipp Meyer's epic tale of more than 150 years of money, family, and power, told through the memories of three unforgettable narrators: Eli, now 100 and known simply as "the Colonel"; Eli's son Peter, called "the great disappointment" for his failure to meet the family’s vision of itself; and Eli's great-granddaughter Jeanne Anne, who struggles to maintain the McCullough empire in the economic frontier of modern Texas. The book is long but never dull—Meyer's gift (and obsession) for historical detail and vernacular is revelatory, and the distinct voices of his fully fleshed-and-blooded characters drive the story. And let there be blood: some readers will flinch at Meyer's blunt (and often mesmerizing) portrayal of violence in mid-19th century Texas, but it’s never gratuitous. His first novel, 2009's American Rust, drew praise for its stark and original characterization of post-industrial America, but Meyer has outdone himself with The Son, as ambitious a book as any you’ll read this year--or any year. Early reviewers call it a masterpiece, and while it's easy to dismiss so many raves as hyperbole, The Son is an extraordinary achievement. --Jon Foro
From Booklist
*Starred Review* Inside Meyer’s massive Texas saga is perhaps the best Indian captive story ever written: in 1849, 13-year-old Eli McCullough is abducted by Comanches after they’ve raped his mother and sister. Eli adapts. He learns the language and how to hunt and raid, and by age 16, he’s a fierce warrior. In the process, the reader is treated to a fascinating portrait of the Comanches, including a Melville-like cataloging of all they did with the buffalo. Eventually, young Eli returns to the white world, but after an affair with a judge’s wife worthy of Little Big Man, he’s forced into the Texas Rangers. Later still, he fights for the South and steals a fortune from the North. He returns to South Texas to found an unimaginably large ranch, which he adds to by trumping up a massacre of a distinguished Mexican family, the Garcias. No scion measures up to Eli, unless it’s Jeanne, his great-granddaughter, who ruthlessly presides over her oil and gas well into the twenty-first century. And, in a different way, Peter, Eli’s son, as softhearted as his father was ruthless, makes his mark. He alone laments the massacre of the Garcias, but he’s an indifferent rancher, and his love affair with the only surviving Garcia threatens to disembowel the McCullough empire. If you want to build a place like Texas, Meyer seems to say, only ruthlessness will suffice. In his many pages, Meyer takes time to be critical of Edna Ferber, but his tale is best compared to Giant. Lonesome Dove also come to mind, as well as the novels of Douglas C. Jones, Alan LeMay, and Benjamin Capps. --John Mort
Review
“With its vast scope, The Son makes a viable claim to be a Great American Novel of the sort John Dos Passos and Frank Norris once produced... an extraordinary orchestration of American history. (Washington Post)
“There is an extravagant quantity of birth, death and bitter passion in Philipp Meyer’s grand and engrossing Texas saga.” (Wall Street Journal)
“Philipp Meyer offers a tale that spans generations and, in its own way, encapsulates the history of the state itself.” (Los Angeles Times)
“As bold, ambitious and brutal as its subject: the rise of Texas as seen through the tortured history of one family. At 561 pages, The Son is a demanding read... But by the end, Meyer ties it together and not too neatly. Tougher-than-tough Eli McCullough would respect that.” (USA Today (4 Stars))
“One of the most solid, unsparing pieces of American historical fiction to come out this century... a brilliant chronicle of Texas... stunning, raw and epic... The Son is vast, brave and, finally, unstoppable.” (NPR)
“This is the book you want to read this summer... Every facet of Meyer’s world--scent and sight and sensation--has weight and heft... Meyer’s dream is a nightmare in which blood seeks power. It’s also un-put-down-able.” (Esquire)
“A novel that is an epic in the truest sense of the word: massive in scope, replete with transformations in fortune and fate, and drenched in the blood of war.” (Huffington Post)
“The stuff of Great American Literature. Like all destined classics, Meyer’s second novel speaks volumes about humanity--our insatiable greed, our inherent frailty, the endless cycle of conquer or be conquered.” (Publishers Weekly (starred review))
“Treading on similar ground to James Michener, Larry McMurtry, and Cormac McCarthy, Meyer brings the bloody, racially fraught history of Texas to life. Call it a family saga or an epic, this novel is a violent and harrowing read.” (Library Journal)
“An old-fashioned family saga set against the birth of Texas and the modern West, this is a riveting slow burn of love, power, and a legacy of violence spanning generations. Meyer is a writer of vast ambition and talent, and he has created nothing less than an American epic.” (Parade)
“The greatest things about The Son are its scope and ambition. . . It’s an enveloping, extremely well-wrought, popular novel with passionate convictions about the people, places and battles that it conjures.” (New York Times)
“The author of The Yellow Birdssays Philipp Meyer’s novel The Son has ‘as much to say about what it means to be American as any book I’ve ever read.’” (New York Times Book Review, By the Book interview with Kevin Powers)
“By the novel’s end, Philipp Meyer has demonstrated that he can write a potboiler of the first rank, aswirl with pulpy pleasures: impossible love affairs, illicit sex, strife between fathers and sons, the unhappiness of the rich, the corruption of power.” (New York Times Book Review)
“Sweeping, absorbing epic. . .An expertly written tale of ancient crimes, with every period detail--and every detail, period--just right.” (Kirkus Reviews (starred review))
“Meyer’s massive Texas saga is perhaps the best Indian captive story ever written. . . [Meyer’s] tale is best compared to Giant. Little Big Man and Lonesome Dove also come to mind...” (Booklist (starred review))
“One of those books that remind you how totally absorbing a novel can be... the work of an uncommonly visionary and skillful writer with a superb sense of pacing... a beautiful, violent and frequently heartbreaking book, but it is not without a sense of fun.” (Washington Independent Review of Books)
“A vivid, unflinching look at the peoples who struggled to conquer Texas, and one another. . . an aerial view of Texas, in which hidden elements of a huge, breathtaking landscape are suddenly made clear.” (Austin Chronicle)
“One word--stunning. The Son stands fair to hold its own in the canon of Great American Novels. A book that for once really does deserve to be called a masterpiece.” (Kate Atkinson)
“Meyer is an impressive and multi-talented story-teller in the old, good sense--the kind that makes me hang on for whatever the next chapter will hold.” (Richard Ford)
“A remarkable, beautifully crafted novel. Meyer tackles large movements of American history and culture yet also delivers page-turning delights of story and character.” (Charles Frazier)
Philipp Meyer redrafts humanity’s oldest questions and deepest obsessions into something so raw and dazzling and brutal and real, The Son should come with its own soundtrack (Tea Obreht)
“A true American epic, full of brutal poetry and breathtaking panoramas. Meyer’s characters repeatedly bear witness to the collision of human greed, savagery, and desire with the mute and indomitable Plains landscape. Meyer is a writer of tremendous talent, compassion and ambition.--The Son is a staggering achievement.” (Karen Russell)
“Meyer’s tale is vast, volcanic, prodigious in violence, intermittently hard to fathom, not infrequently hard to stomach, and difficult to ignore.” (Boston Globe)
“Ambitious readers who take their prose seriously should grab a copy of The Son, a stunning work of historical fiction by Philipp Meyer. Scores of critics are gushing over the book calling it epic, one of the best of the year, even an American classic.” (CNN Online (Hot Reads for June))
“The story of our founding mythology; of the men and women who tore a country from the wilderness and the price paid in blood by subsequent generations. An epic in the tradition of Faulkner and Melville, this is the work of a writer at the height of his power.” (Kevin Powers)
“An epic, heroic, hallucinatory work of art in which wry modern tropes and savage Western lore hunt together on an endless prairie... a horribly tragic, disturbingly comic and fiercely passionate masterpiece of storytelling.” (Chris Cleave)
The Son is positioned to seduce readers who swooned for Lonesome Dove and 2011’s briskly selling Comanche history, Empire of the Summer Moon. (Cleveland Plain Dealer)
“It may not be the Great American Novel, but it certainly is a damn good one.” (Entertainment Weekly (Grade A Review))
“Philipp Meyer’s epic novel begins in 1849, when Eli McCullough, 13, is kidnapped by Comanches, and ends in 2012 as Eli’s rich and powerful great-granddaughter is dying. USA TODAY says **** out of four.” (USA Today)
“In gorgeously gritty prose, this epic novel follows three generations of the McCullough family - as wild as the untamed Texas frontier where they’ve settled - in their ruthless quest for power. (Ten Titles To Pick Up Now)” (O, the Oprah Magazine)
“The Son is adeptly written, rife with conflict, and richly built on scads of historical detail. Meyer is unflinching in his portrayal of violence and its role in America’s bedrock.” (Austin American-Statesman)
“One of the best books I’ve ever read . . . Incredibly ambitious and rich, and it reminds me of Blood Meridian and As I Lay Dying. Faulkner and McCarthy fans should definitely check it out.” (Dallas Observer)
“The Son drives home one hard and fascinating truth about American life: None of us belong here. We just have it on loan until the next civilization comes around.” (Atlanta Journal-Constitution)
“Mr. Meyer’s version of how a white child grows into the culture of a Comanche warrior is so vivid, violent, heartless and tender at the same time that I often put the book down to recover from the scenes, then picked it up, eager to follow the narrative.” (Pittsburg Post-Gazette)
“Meyer has penned another masterpiece of American fiction. Read it and see if you don’t agree.” (Dayton Daily News)
“The Son is a true American original. Meyer describes the Comanche as ‘riding to haul hell out of its shuck.’ It’s an apt description of how it feels to read this exciting, far-reaching book.” (Milwaukee Journal Sentinel)
“. . . a raw and gritty novel not for the faint-hearted.” (Eagle (Bryan-College Station, Texas))
“. . . Involving and moving novel. Meyer’s work deserves its place among the great epics of Texas; even more, his vision of the state will change the way readers understand and judge its history and its folklore.” (Chapter 16)
“. . . Meyer’s brilliant second novel . . . The writing is strong - ‘riders were suddening out of the trees’ - and rich with detail. . . Just like Meyer’s riveting 2009 debut American Rust, this is a wonderful novel.” (Financial Times)
This is an endlessly absorbing book, a page-turner with serious moral scope, both full of feeling and ruthlessly engineered, as great books are, to get us closer to the truth about ourselves. (Men's Journal)
The Son clearly demonstrates how a well-written, thoroughly researched work of fiction illuminates the past. . . ‘No land was ever acquired honestly in the history of the earth,’ Eli maintains. An outstanding novelist has tilled this fertile ground.” (Santa Fe New Mexican)
“Critics have compared the writing to Larry McMurtry’s Lonesome Dove or any of Cormac McCarthy’s novels. Anyone who likes a Western saga will find plenty to savor in this latest work from a distinguished spinner of Western yarns.” (Examiner.com)
“This is an endlessly absorbing book, a page-turner with serious moral scope, both full of feeling and ruthlessly engineered, as great books are, to get us closer to the truth about ourselves.” (Men's Journal)
“An epic of the American Southwest, Meyer’s masterly second novel follows several generations of a Texas ranching and oil dynasty through the 19th and 20th centuries…” (New York Times Book Review, Paperback Row)
Most helpful customer reviews
15 of 15 people found the following review helpful.
The Son , is Fantastic!
By Chicago Mermaid
I have watched the 2nd installment of the TV show The Son. I think the show is great and as I watched the credits, I saw it was based on a book. So, I bought it last night for my Kindle Paper White. Wow! I have been reading almost all night and most of today! This is a fascinating book. The TV show showed the savagery of the killing of his family and kid napping. It was nothing compared to the book! I always read reviews. I saw a few that were "confused" that there are different people ,with their own chapters, that tell the reader 1st hand their thoughts. All you have to do is read the name and the time period at the head of each chapter! Also, someone stated that people in the Old West would never swear like what is in the book. Read some of Shakespeare's plays. He swore like a drunken sailor! I'm pretty sure people have cussed since the Beginning of time. I am planning on reading it tonight till I collapse. If you like Westerns, Indian Tales, Texas, and stories about families that will fascinate you, buy this book! This will be a book I read more then once....I bet most will agree with me.
80 of 84 people found the following review helpful.
A story of a family and of a state
By Robert Frost
"The Son" fits the definitions of both epic for its scale and great American novel for its story. It is the story of the McCullough family, from around 1836 to 2012 told primarily from the perspectives of three family members. Eli McCullough, also referred to as "The Colonel", is the son of an Irish immigrant. The story begins with him as a child, near Fredericksburg, Texas, and follows him to his 100th birthday. Peter McCullough is Eli's son. Much of his story is told during the period of World War I. Jeanne McCullough is Peter's granddaughter. Her story is told from around 1936 to 2012.
More than just the story of a single family, "The Son" is a story of Texas. We see settlement and conflict between white settlers and the Commanche and then the Mexicans. We see the establishment of Statehood and the secession of the Civil War. We see the ups and downs of cattle ranching and oil.
The narrative is structured by rotating through the three POVs (points of view) - a chapter from Eli's perspective, a chapter from Peter's perspective, a chapter from Jeanne's perspective and then back to Eli, and so on. All three characters have engaging stories to tell. Eli's is the most exciting, dealing with events such as his capture by Commanche, serving as a Texas Ranger, fighting in the Civil War, and establishing his ranch. Peter's is the most intellectually engaging and as he struggles with the ethics and morality of his family and the other white settlers with regards to their treatment of Mexican neighbors. Jeanne's story is the most emotional as she struggles with establishing her place in both the ranching and oil businesses, in times where women didn't have a place in either.
Because Eli lives to be 100, he has roles in both Peter's and Jeanne's stories. He is the patriarch of the family - the standard by which every later generation is judged. Eli is a fascinating character. He is a person that sees what he wants and he takes it. It's a personality that is essential to survive and succeed in the dangerous world he inhabits. But that way of life is uncomfortable for Peter, whom suffers because he never takes what he wants and for Jeanne whom is often prohibited from taking what she wants.
The author, Philipp Meyer, received a Michener fellowship that brought him to Austin, Texas. He spent five years researching this novel, learning about the time periods, visiting the locales, and developing the skills his characters needed. His research brings a strong sense of authenticity to the novel. The scenes are easy to visualize, down to the mesquite trees and prickly pear cacti and the blazing heat of Texas. The voices sound real and the characters have a realism that allows this novel to deconstruct the American creation myth in a fascinating way. As one of the characters says, in the book, "No one got anything without taking it from someone else." Meyer doesn't assign titles of good guy or bad guy to any of the conflicts in the novel, rather he represents everyone as behaving according to human nature. The white settlers take land away from Mexican settlers, whom took it away from Indians, whom had taken it away from other Indians.
The timing of my reading of this novel worked out really well. During reading the book, I visited the five remaining Spanish missions in San Antonio. The story of those missions is reflected in the story of "The Son". A story of adapt or perish in a harsh yet beautiful world.
The one flaw I would assign to the book is a flaw I have noticed in many of the longer novels I've recently read (The Son is 561 pages). That flaw is an awkward acceleration of pace in the last twenty-percent of the book. As we get closer to the end, we race faster to that end and the narratives become more abrupt and edited. I really would have liked to see another hundred pages so that some of the final events could be told with the same rich level of detail as the bulk of the book. But, I guess when one finishes a book and wishes there were more, that's better than the alternative.
I recommend "The Son".
20 of 20 people found the following review helpful.
A Chronicle of the American Dream
By Lukester
In this ambitious, epic novel, Meyer chronicles the stories of several generations of fathers and sons (and one daughter) as they each seek the American Dream. Of course, what that means to each is different.
Colonel Eli McCullough is kidnapped by a band of Comanche Indians after his family is murdered on the Texas Frontier in 1849. His father had pushed his family beyond the line of settlement into dangerous territory. For this, he paid the price, losing his entire family. Eli eventually assimilates into the tribe, which itself suffers a well-known fate as the settlers take over their territory. Rejoining the "whites," Eli manages to build a massive empire built on cattle and, later, oil. Despite his success, his time with the Indians never truly fades from his life.
His son, Peter, is never entirely loved by his father, who sees him as weak. Peter doesn't leave his father's ranch, but he is not respected by either his father or the others that can see he lacks the mettle to be a Texas Man. After a brutal event carried out by his family, Peter is forever scarred and, when he ultimately has a chance to make amends of a sort, is forced to choose between his family and happiness.
Jeanne Anne, Peter's granddaughter, inherits the ranch up to the modern day, dealing with a very different Texas than her great-grandfather. Despite the modernization of the state, the same principles that applied to the frontier apply to the Texas oil boon: kill or be killed, both literally and figuratively. Jeanne Anne is forced to deal with the same fire of her great-grandfather while being stuck in a woman's body. Far from being a feminist, she learns when she is young that she belongs only in Texas and, like her family, seeks happiness in all the wrong places.
The Son is permeated with themes that are common to the American Experience: exploration, assimilation, solitude vs. society, equality, money, and violence. Each of the main characters is faced with reconciling themselves with the fates given to them by their families and their own wishes. While some hew close to where they came from, they are faced with their unhappiness. Others who manage to break free are able to find happiness, but are left in shame.
I read Meyer's first novel, American Rust: A Novel (Random House Reader's Circle), which took place in the Rust Belt. In both that novel and this one, Meyer shows he is a wonderful writer that can quickly immerse the reader in the lives of his characters no matter the setting. Showing incredible range, Meyer leaves the familiar territory of the Northeast, where he grew up, to write a novel that takes place in Texas and the early American West. Although I am no expert, Meyer drew me into an entirely believable story taking place among the pioneers, the Indians, and the Texas oil tycoons of more modern times.
Above all else, this is an incredibly entertaining and moving story. The novel skips between the lives of the three main characters as they move through the world. I found the story of Eli to be the most compelling, but each of the three main stories could be a wonderful novel standing alone. Setting aside the interesting take of the themes I mentioned above, I simply enjoyed reading the story that Meyer creates. This is one of my favorite novels I have read in awhile and was sad to see it end. I'll be looking forward to Meyer's next novel with great anticipation.
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