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Respect for Acting, by Uta Hagen
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Respect for Acting
"This fascinating and detailed book about acting is Miss Hagen's credo, the accumulated wisdom of her years spent in intimate communion with her art. It is at once the voicing of her exacting standards for herself and those she [taught], and an explanation of the means to the end."
--Publishers Weekly
"Hagen adds to the large corpus of titles on acting with vivid dicta drawn from experience, skill, and a sense of personal and professional worth. Her principal asset in this treatment is her truly significant imagination. Her 'object exercises' display a wealth of detail with which to stimulate the student preparing a scene for presentation."
--Library Journal
"Uta Hagen's Respect for Acting . . . is a relatively small book. But within it, Miss Hagen tells the young actor about as much as can be conveyed in print of his craft."
--Los Angeles Times
"There are almost no American actors uninfluenced by Uta Hagen."
--Fritz Weaver
"This is a textbook for aspiring actors, but working thespians can profit much by it. Anyone with just a casual interest in the theater should also enjoy its behind-the-scenes flavor."
--King Features Syndicate
- Sales Rank: #9409 in Books
- Brand: Hagen, Uta/ Frankel, Haskel
- Published on: 2008-07-08
- Original language: English
- Number of items: 1
- Dimensions: 8.80" h x .88" w x 5.82" l, .79 pounds
- Binding: Hardcover
- 240 pages
From the Inside Flap
"Uta Hagen wanted us never to settle, period, to keep on endlessly exploring, digging deeper, and aiming higher in our scenes, in our plays, in our careers. Respect for Acting is not a long book, and with any luck, it will take you the rest of your life to read it."
—David Hyde Pierce (from the Foreword)
Legendary actress and teacher Uta Hagen knew that an actor's finest work was often achieved for love rather than for money. She lived this philosophy alongside her husband, Herbert Berghof, at HB Studio, their acting school in New York. It was there that they created a workplace and spiritual home for actors such as Robert DeNiro, Jack Lemmon, Anne Bancroft, and Bette Midler.
Respect for Acting is Hagen's blueprint for the actor, her design for "enlightened stage acting." This classic book has helped generations of actors hone their craft, and its advice is as useful now as it was when it was first published. Hagen draws on her own struggle with the techniques of acting as well as her decades of teaching experience to break down the areas in which actors can work and search for realities in themselves that serve the character and the play. This approach helps actors to be specific in their actions in order to communicate an artistic statement. Hagen's instructions and examples also guide the aspiring actor through practical problems such as "How do I talk to the audience?" and "How do I stay fresh in a long run?"
Part One, "The Actor," deals with the actor's concept of him or herself, as well as techniques that set an actor in motion physically, verbally, and emotionally.
Part Two, "The Object Exercises," offers specific and detailed work for the actor, covering a broad range of problems and circumstances, from making an entrance to using the Fourth Wall.
Part Three, "The Play and the Role," covers how to approach the play and identify with the character the actor will undertake. It also shares practical thoughts and answers the questions young actors ask most.
Uta Hagen's influence endures in many of today's most compelling stage and screen performances. Informative and inspiring, Respect for Acting will bring her timeless techniques to actors and audiences for years to come.
From the Back Cover
Respect for Acting
"This fascinating and detailed book about acting is Miss Hagen's credo, the accumulated wisdom of her years spent in intimate communion with her art. It is at once the voicing of her exacting standards for herself and those she [taught], and an explanation of the means to the end."
—Publishers Weekly
"Hagen adds to the large corpus of titles on acting with vivid dicta drawn from experience, skill, and a sense of personal and professional worth. Her principal asset in this treatment is her truly significant imagination. Her 'object exercises' display a wealth of detail with which to stimulate the student preparing a scene for presentation."
—Library Journal
"Uta Hagen's Respect for Acting . . . is a relatively small book. But within it, Miss Hagen tells the young actor about as much as can be conveyed in print of his craft."
—Los Angeles Times
"There are almost no American actors uninfluenced by Uta Hagen."
—Fritz Weaver
"This is a textbook for aspiring actors, but working thespians can profit much by it. Anyone with just a casual interest in the theater should also enjoy its behind-the-scenes flavor."
—King Features Syndicate
About the Author
Uta Hagen was the recipient of innumerable honors and awards during her long career, including the prestigious National Medal of Arts in 2003. She died in 2004 at the age of 84.
HASKEL FRANKEL was the drama critic of the National Observer.
Most helpful customer reviews
26 of 27 people found the following review helpful.
Great--but skip and read "A Challenge for the Actor"
By oatmeal
This book is great, don't get me wrong. But her later book, "A Challenge For The Actor" takes everything of value in this book, elaborates on it, and adds oodles more information and insight (reflecting the author's own revising of her approach and methods over the years). Reading both isn't necessary; I would head straight for "...Challenge..."
7 of 7 people found the following review helpful.
The perfect starting point for aspiring actors.
By Lockboom
For anyone interested in acting, Uta Hagen's, Respect for Acting, is a must read. Miss Hagen's sass and sense of humor really shine through in her writing style as she relates her own wisdom and solutions to challenges and pit falls that all actors make time and time again. This would be a most valuable selection to keep in one's library because of its invaluable knowledge coupled with witty anecdotes and easy-to-understand exercises. In tandem with Haskel Frankel, Hagen has created a wonderful map for the aspiring actor, and she portrays the journey to be an exciting one.
This book is a perfect starting point for anyone interested in pursuing acting in any form. It is simple and strait forward however it only scratches the surface. It is a fabulous predecessor for Hagen's second book, Challenge for the Actor. Admittedly, the exercises and techniques that are outlined in this book are difficult, and not for the faint-hearted. Someone not committed to really learning from them might find them silly or unnecessary. To keep the right mind set, Hagen would advise you to, "set your own goals, set them for your own approval." This advice is something I have truly taken to heart.
As an aspiring actress I truly enjoyed reading this book. Hagen's experience and renown may be impressive, but her words and insights communicate on a vastly more personal level. Many actors, young and old, would be doing themselves a disservice if they choose to ignore this book. Hagen makes a much needed to call to bringing back the innocence of acting and she has a genuine poise bringing it about. I for one can attest to the multitude of sleazy acting that Hollywood and even Broadway are producing these days, and to them I would recommend that they read this book.
6 of 6 people found the following review helpful.
Practical and Honest Account on Life as an Actor
By Margaret Thompson
This is only the second book on acting I have read so far, the first one being Boleslavsky's Acting: The First Six Lessons, so naturally I've been comparing the two a lot while reading. I love Uta Hagen's book stresses the craft part of acting with highly practical exercises. This is definitely in line with Boleslavsky who stresses that the art of acting cannot be taught but that techniques can be learned to perfect the tools of concentration, poise, and projection, to name a few. I have found both books really great preparation for my first workshop, which is coming up soon!
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